Supermarket Panic part 14
I had gotten word from Nichole that she was planning to replace the last doorknob of the two doors to our Studio today, which would mean a new key to that door, and that alone was a reason to go there today. However, I usually have many things to do at the Studio. One thing was to finish the current block. I had located my supply of personal tools, and wanted to get this done so I'll be ready to move on the next print, once I decide what that is.
In the early afternoon I got up to the building. Saw cars in the lot (not Nichole's) and the gates open, so went in. Went straight to the basement and saw that the door had a new knob, one my key would not fit. Luckily, there was a plan in place. Up to the office, where Bobby was on duty. I asked about the key and he pulled out an envelope and dug out a set of keys, one silver, one gold. Said he had sets for me and for Molly. Why two? He didn't know. So I went downstairs via the elevator, and came first to the green door, the side hallway I don't usually use to enter. The gold key didn't work there. The silver key didn't seem to fit either, but after jiggling it around a bit it finally fit and the key turned, and I was in. I'd figure out the rest later.
Got in there and set up. For music today I brought something from home, a disc that collected some early albums from the DC band Shudder to Think, one of those groups I learned about at Montclair State. Hard to classify, even for music experts, but often labeled as "post-hardcore". They were signed to Dischord Records, a label that specialized in hard core punk bands from the Washington DC area, and they fit in with that crowd. The music is fast, dense, aggressive guitars, but recorded at low volume, which gave them a mellow pop sound. Vocals were more pop. This disc had their first two albums for Dischord, Funeral at the Movies and Ten Spot from the early 90's. One of those things that would be hard to listen to in winter with the heat coming on every few minutes, but summers are quiet around there. The two albums totaled about an hour, which seemed just enough time.
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