An Important Lesson
Ten years later I'm finishing my third college degree and starting to get work into exhibitions in places far enough away that I need to ship them. Some might just get a generic box, throw in the art along with a pile of styrofoam peanuts and send it on its way, but not me. Using my memories of corrugated construction, I'd get a flat sheet of cardboard, cut it and score it, fold and secure it with paper tape (part of my kit since etching classes) and have myself a strong, safe, and reusable container custom designed to hold my framed artwork. (by the way, gallery directors hate styrofoam peanuts- static makes them stick to everything and you can never repack the artwork for return shipping) Some of my boxes have made multiple trips across country, and I've never had a piece damaged yet. Doesn't have to be a flat sheet- I can take any large cardboard box (love appliance shipping containers- really strong cardboard) and recut it to whatever dimensions I need it to be. A few years ago I had a major show in Iowa and spent the better part of a month making shipping boxes. I don't love making boxes- I'd rather be drawing or cutting- but I'm glad that I can do it when I need one. And I owe that skill with cardboard to Lee White.
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