Boardwalk Mini-Golf part 6
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Pre-western influenced Japanese art often made use of perspective systems different from the one and two point systems favored in the west from the Renaissance forward. One of those is an isometric perspective, in which all major lines are vertical or parallel angles of 60 degrees to either side. An example can be seen in the above woodcut by Shunsho. Much of the arcade print in this series uses this approach, with the exception of the upper parts of the skeeball lanes and some of the upper prize shelves. Another system common in older Japanese art (including some Ukiyo-e prints) is oblique perspective, in which all the major lines are vertical, horizontal, or 45 degree angles in one direction. An example of this can be seen below in the painting by Bai Zoshi. Since a lot of my block drawing was more or less doing this already (and the rest wasn't working particulary well) I decided to convert my drawing to this oblique mode. Or a modified version anyway, since everything in oblique perspective is the same scale, but in my composition things will be smaller as they recede into the distance.
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