Monday, March 19, 2018

St Joseph's Day

Here at Studio Arrabbiata we always do something to acknowledge and celebrate St Joseph's Day.  March 19th is the Feast Day of St Joseph, husband of Mary, who raised Jesus as his own son, and I assume served as a significant male role model.  Carpenter by trade, thus the patron saint of everyone who works with wood.  Also the patron of many other professions and people, including the nation of Italy and (somehow) bakers of dessert items. More on that last item later.

Spent the day working on school stuff mostly, but here at the Studio we celebrate things Italian and among our people we do have some traditions.  I know of no specifics for meals, but I always choose a pasta dish, which is my meal choice more days than not.  In today's case it was cheese ravioli (frozen type, as I don't have the time to make them from scratch, or a staff to clean up after me like all the tv chefs do) and a quickie tomato sauce from canned tomatoes, olive oil, spices.  The dessert is specific for this day, a filled pastry.  Most common is to start with a large zeppole, though a sfinge is also acceptable, and stuff it with cannoli cream, or sometimes whipped cream or custard.  Often a cherry or candied fruit is added.  You see one above, just to the right of my plate of ravioli.  The chocolate chips are not required, but I wouldn't turn them down.

Happy St Joseph's Day Everybody!

Sunday, March 18, 2018

2018 Tournament of Art part 2

All of the relevant games for my tournament are complete for this week.  The NCAA Men's Basketball Tournament started with 68 teams, and is now down to 16.  There won't be many people out there who accurately predicted those 16, lots of wild finishes and upsets have made a mess of my bracket, and I expect I'm not unique.  But there was some good news, too.

I need to produce a new curriculum vitae soon, so I devoted time today to digging up information from the past several years.  The last one I did was about 5 years ago.  I haven't put it all down in one place lately, but at least I have the information here and there.  For example, this blog has more than an decade's worth of my artistic history.  It would take a long time to read all of it, so I have been relying on memory and using the blog to verify things I remember.  Today I was looking up something way back, ran across one of my old Tournament of Art pieces, and it mentioned that I had a link to the main University of Texas, not just the branch in Arlington that I know well.  Just a few days ago I wrote that I had never had art there, but could I have forgotten?  Thinking about it more, I vaguely remembered a group show, something organized by someone else.  I looked at my comprehensive exhibition list, and found it- University of Texas at Austin, 2001, a showing of the Culture Rot group folio.  Predates this blog by several years.  I guess that's how it slipped my mind.  What that means is I actually had 3 teams in this year's Tournament of Art.  So that was some good news.

As for my original two teams, so far so good.  The #1 seeded Villanova players easily won their first two rounds, and joined the sweet 16.  And Syracuse has won three games, a play in game to get the #11 seed, and then upsetting a #6 and a #3, and now is also in the sweet 16.  Meanwhile, Texas lost their first round game before I realized they were part of my tournament.  So schools that have shown my art won 5 of their first 6 games last week.  If there was some kind of evidence that showing my art can lead to sports success I would share it with many schools, maybe get some more shows as a result.  Meanwhile I have to get ready for three days with no basketball games, which can be a weird feeling after the excitement of the past four days.  And on the down side, one whole side of my bracket is done, completely wiped out, no more games left I can win there.  The other side, including my predicted champion, is still intact, so I have things to root for.

Friday, March 16, 2018

Catching Up

This week I have been on Spring Break from the one school that actually gave me classes this semester, so I've been mostly taking time to relax, but there's always things that have to get done.  Even at the school on break.  Answered e-mails from students, which I never mind doing.  Always happy to help a student who takes the time to ask for help related to classes.  But now also have to deal with administration requests, much less welcome.  One that was due today was related to a program for college students who really aren't qualified to be college students, but they have tuition checks, so they are accepted and it's left to professors to get them up to speed.  Again, I don't mind helping students, but the first graded project isn't due until next week, so I was requesting extending that deadline until I had something to actually tell them about.  They agreed.  More annoying was another demand that came in yesterday, one that college administrators pull every few years.  Someone new wants to know all kinds of stuff about the faculty, and needs us to submit copies of the evaluation forms, our syllabi, a CV, due in about a month or we will not get classes again.  I consider this to just be laziness, since all this stuff is in office files already and they can pull it out any time, instead of making us use our own unpaid time to dig the stuff up and submit it again.  I found the necessary information this week.

Have also devoted time to thinking about the next print project.  Have three projects that I plan to pursue, just a matter of deciding which one will be first.  Meanwhile, things may be changing at the Studio.  Molly informed me early this week that Jackie, our third artist in the space (for the last few years) is going to be moving out soon.  This leaves us two options- find a new third person to split the rent, or go back to the two artist system we had for many years- more rent, but more space.  More will be decided about this in the future.

Not much has been done lately about the planned printmaking show in Belmar, mostly because the new person in charge of exhibitions hasn't responded to questions we have, and we need those answers before we start recruiting artists of the show.  Luckily it's not until the fall, so we have a little more time, but we also need to give time to the artists to make prints.  The one thing that I have done toward this is to schedule a woodcut series at the location.  Good for them, as most people involved in BelmarArts don't know what a print is or how to make one, so if we want people in the show, we will have to teach them.  Plus the organizations takes a percentage of tuition for all classes, so they will make money that way, too.  And as the teacher of that class, I'll make some money.  Got all the paperwork submitted over a week ago, but they have yet to put it on the website or start advertising it.    I need to remind them that they have something to gain from this as well.  Got most of the supplies I will need to get started, and this week I received the newest catalog from my woodcut supply company.  Won't order anything until I find out if I have students, but I am curious about some new inks they are carrying.

This week we also got the results of the upcoming big juried show.  This is the 14th annual, and I joined in time to be part of the 2nd annual show, back before we had our own building.  I've been in it every year since then, winning many awards along the way, but this year I was rejected.  I don't take the results of juried shows too seriously- as I tell students, if I get into a juried show or win an award, it means one person liked what I did, and if I am rejected, it means one person didn't like what I did.  However, there seems to be some weird things going on here.  Out of 49 people in the show,  I only know 13 of them, and I've been around long enough to know most of the active members.  And 49 is the smallest number of artists to be selected I've ever seen.  In the 10 years prior to this one, the shows averaged 81 artists each.  All the founders are gone- I don't know if they all left or were pushed out by the people running things now.  Many of them are part of a group that has been showing in other places in the area, such as the show I am in right now in Spring Lake.  That show has a closing reception this coming week, so perhaps I will see them and find out some answers.

And we've had a lot of college basketball on the tv this past week, so I have watched a bit of it.  I'll have the results of my Tournament of Art at the end of the weekend, and assuming my schools survive those rounds, more next week.

Anyway just because I'm off work, doesn't mean I have nothing to do or that nothing happens. Life as  an artist keeps you busy.

Tuesday, March 13, 2018

2018 Tournament of Art

It has long been my custom this time of year to track all the colleges who have in common a team in the NCAA Basketball Tournament and being a place I have an artistic connection to.  That can be a place I took classes, a place I worked at, a place that I have exhibited at, or a place that has collected some of my artwork.  There are also schools that I have a rooting interest in, but I don't count those for the tournament. For a while it looked like I might have a bunch this year, but the field was announced this past weekend, and there are only two teams.

I have attended two Division I colleges and both were in possible position this season.  SIU had a decent team this year, a good seeding for their conference tournament, but lost in the semi-final.  The College of William and Mary also ended up with a very good record, a good seeding in the CAA tournament. Watched the game on tv and the announcers talked about how W&M led the nation in 3 point shooting percentage, and were top 5 in many categories, however, in the game that followed they missed almost every shot and were eliminated.  And while both schools had very respectable records, it was decided that certain power conferences had to have 8 or 9 teams in the tournament, so without the automatic bid, they had no luck.

Some things were close- Harvard and Florida Gulf Coast University lost their conference title games and will sit things out.  I have multiple connections to the University of Texas at Arlington, but it's the main campus in Austin that has the team that made it.

So in the end I have two teams.  Syracuse (exhibition 2005) just barely made it, we are told the last team in as an at-large pick.  With an #11 seed in their region, they aren't expected to go very far. In fact, they have a play-in round tonight just to continue, which is why I had to get this up now.   My other school is Villanova (exhibition 1997), which is a #1 seed in the East region, and had been a #1 team in the country for much of the season.  Seen a few games on tv this year, and when they play at their best they can beat any team in the country.  Winning the whole tournament means winning your next 6 games, but they are all against top teams in the nation, so not an easy task.  I'll provide updates on my schools each weekend.

Wednesday, March 07, 2018

Preparing for JAS 14

Despite today's snowstorm (our first since a few days ago), the calendar says we are approaching spring, and this is the time of year for the annual Juried show at the Belmar Arts Council.  I joined the  BAC when I entered the 2nd Annual Exhibition, which was the only show they had back then.  This year's will be the 14th Annual Exhibition, and I've been in all of them since that first one I was in.  Having a large supply of finished work in frames (or the proper size to fit frames I have) makes that easier.  On the other hand, I prefer showing newer things.  The entry deadline was today, luckily all done over the internet these days, as going out in today's weather would have been tricky.  I submitted two pieces, both connected to my youngest niece.  One was the mermaid collage piece I completed in the Studio yesterday

and the other is a print I made last year, but was not accepted into the Bird themed show, a print about St Georgia

which is in a frame right now, from when I brought it to a critique group last summer.  It is also the piece I brought to last month's critique at Mary's house, where those present seemed to like it.

No predicting what will happen with a juried show.  I've had pieces rejected one year, and with a different juror the following year, win a prize.  And while the juror and I are both adjunct members of the same college faculty, I don't think we've ever met (life as an adjunct) and I've never shown anything like these pieces at that school, so she has no way of knowing who submitted them is she did know me.  But I got them submitted ahead of the deadline, so I'll have to wait and see what happens.  I'll post the results here when I know them.

Tuesday, March 06, 2018

Mermaid Comes Around

A print project that I started last year finally reached its end today.  Part of the length it took is probably because it wasn't necessarily intended to be a print project, but these things happen as they do.

At one point last year my brother's wife asked me to create a sculpture based on something she had seen on the internet, a wooden mermaid.  I had her print out a copy for me.  Basically a profile along the length of the body, from tail to outstretched arms, hands holding a starfish.  I hadn't carved wood with the plan of making a sculpture to be seen probably since high school, but I do have a few degrees in wood carving, and a large supply of woodcut tools, so I took the challenge.  Went with 1/2" birch, what I'm using for woodblock prints these days, gridded out the mermaid shape, sketched it in pencil, then used a saw to cut it out.  Over a period of time I carved the figure with a fair amount to detail, in low relief.  The original plan was to keep the wood in a more natural state, but eventually I decided that color would make the relationships of figure and objects clearer, and having been reunited with my supply of water soluble color relief inks, had a plan.

Not wanting to waste the effort of carving the wood, I decided to try something I hadn't done since the 1990's, making prints as a rubbing, I draped my mermaid block with some thin Japanese paper, and rolled brayers with various colored ink over that paper, building an image on the top surface of that paper.  Different colored inks for different parts of the figure.  Set those "prints" aside to dry, and by last October they had done so.  Had no plans for what to do with these prints, other than to show them to a current college student working with woodcut, but realized if I was ever going to do this, it had to be before I finished the sculpture.  This process left some residual ink on the wood itself, having penetrated the thin paper, but not a problem because I expected to use the same colors to paint the sculpture.  When used in super thin layers, this water soluble ink dries very fast, but used as a paint, it was taking much longer, and in my design, some parts required multiple layers of color.

Was given no deadline for getting the sculpture made, so no problem.  Completed the piece this past January, seen above.  Just need to attach a wire and it's ready to go.  The piece is intended for the bedroom wall of my young niece, and I hope she will enjoy it, though it may be a few years before she can actually tell me what she thinks of it.

Meanwhile, over at the Belmar Art Council, we are coming to the time of the year to submit works to the annual juried exhibition and I didn't have much to show.  Have been in plenty of exhibitions, taking advantage of having a deep catalog of finished work, and spent a lot of time working paying jobs.  I'm sure I could dig up some old things never before seen in Belmar,  but I prefer to show newer stuff when possible.  I got the idea to make use of one of those paper rubbing prints I had made last year, so on a day last week when it wasn't raining or snowing (sunny days are rare in recent months) I went to one of the last area art supply stores and bought some paper.  Colored decorative paper, which seemed the logical way to make this thing happen.  I have several sheets of colored/textured paper that make available to students in my woodcut class, but I wanted something that could serve as a blue (water) background, and found some deep blue unryu with gold fibers and picked up a few sheets.  The past few days have been devoted to dealing with an apartment fire inspection, but that was finally resolved this morning, so I had art plans for the afternoon.

Today I brought my two mermaid prints and all my decorative papers to the Studio, still not sure what I'd be doing.  A few days ago I had located two long horizontal frames in my storage of old works, things that would be suitable for the piece, and measured them so I'd know how to format the thing.  Left the frames behind for now, but had those numbers with me today.  Up at the Studio, decided which mermaid print to go with and used scissors to cut out the figure, placing it on some plain white paper while I figured out the rest.

What I had decided on while still at home was the idea of collaging together things from all the colored paper, along with my new blue background and the cut out mermaid.  Below is the result.

I tore the blue sheet down to a size that would fit the window mat of one of my frames and then started arranging things on it.  There's the deep blue with gold fibers as my main background, and I tore thin strips of another blue and some brown that had a ripply pattern on it, plus a greenish color that I though would be suitable for undersea plants, so I made some of those.  All held in place with some PVA.  There is a variety of shape and value.  Warm colors and cool colors.  Horizontal and vertical movements.  Still, not like anything I've done before.  For my print projects I generally start with an idea or a concept, or at least a vision, and I work to make that thing happen.  However, there is relatively little of me in this piece.  I did not select the subject or what she looks like.  Mostly I just picked the colors of everything.  But it does give me an option for submitting to the show.   Deadline is tomorrow, so I'll have to figure out what I'm doing soon.